©Netflix | Source: fishsticktheatre.com |
USA; 12 episodes; sci-fi, drama
Channel: Netflix
Creator: Andy and Lana Wachowski, J. Michael Straczynski
Cast: Aml Ameen, Bae Doona, Jamie Clayton, Tina Desai, Tuppence Middleton, Max Riemelt, Miguel Ángel Silvestre, Brian J. Smith, Freema Agyeman, Anupam Kher, Terrence Mann, Naveen Andrews, Daryl Hannah
A dark room with high ceilings and colored glass windows, maybe an old church or an abandoned train station... Where are we? Amidst rubble lies a woman in a white gown. But, just like the mattress she is bedded on, the dress is dirty and stained. In a shot that resembles the production of a one-woman play, said woman is at center stage moaning and squirming in obvious pain. Who is she? Suddenly, in a desperate gesture, she stretches her arm upward as if reaching for someone or something – and a man supportively grabs her hand. He protectively encloses her in his arms and seems to coax her toward something. What does he want? The woman zones out and, saying she can see them now, is transported to a bunch of different places. In various locations she focuses on a single person and just stares at them. Who are they? Back in the dark, high-ceilinged place we get a long shot of the woman crouching on the mattress by herself. Yet, she still seems to be talking to the guy who grabbed her hand. Where is he? Suddenly we can see him again and he is urging her to do the right thing. She is struggling, and all of the sudden a man appears at her other side, very close as well and telling her to do the opposite of what she has been told before. Where did he come from? The men, it seems, can't communicate with each other, so we have to believe it is the woman who holds the connection – perhaps only in her head? Her mind seems to be made up now, and from somewhere she takes a gun into her mouth and shoots herself. What the hell?! The second man that appeared in what we assumed was the woman's imagination bodily approaches the scene of violence and we are left to wonder what we just witnessed. Maybe we don't have to understand, but just experience in a way we didn't know before... Sense8.
© Netflix | Source: Mashable |
Technically and stylistically Sense8 makes a lot of unexpected and unconventional choices in film making that underline the general confusion we are meant to feel because of the plot. The opening credits serve as a stark contrast to the introductory scene I described before. Instead of dark, destroyed places we see a montage of sunny and bright skylines and vivid scenes of odd and everyday within different cities. What starts as a relief in suspense quickly picks up speed again with quicker cuts, moving people, and increasingly urgent music. Then the bright colors abruptly end with the start of the next scene. Additionally, the use of mostly non-mainstream music or strategically
© Netflix | Source: fishsticktheatre.com |
What makes Sense8, in my opinion, are the characters or sensates as they are called here. The show’s creators gave birth to a complex and diverse group of people whose personal struggles and interactions keep the show going at any point. There is Riley (played by Tuppence Middleton), an Icelandic DJane, who left for London because she believed to be cursed. Will Gorski (Brian J. Smith) is a cop in Chicago with a criminal past. Jamie Clayton plays Nomi Marks, a transgender woman based in San Fransisco, who finds solace in the arms of her girlfriend Amanita. Capheus (Aml Ameen) is a Kenyan bus driver and passionate fan of action star Jean-Claude Van Damme. Max Riemelt plays formerly East-German Wolfgang Bogdanow, who cracks safes with his best friend Felix in Berlin. Kala
© Netflix | Source: fishsticktheatre.com |
What does not work, however, is the development of comprehensible connections between the different personas. Unfortunately, there is a lack of logical storylines. These eight people go from being shocked and overwhelmed by the sudden connection with seven other people in the pilot to suddenly being entirely comfortable with switching consciousnesses with each other and collectively tackling situations a few episodes later. By itself this might work, if by that point we’d have gotten some sort of explanation for what is happening to them, which we have not. What is even more shocking is that there are only some sensates who actually do try to solve the mystery of their
© Netflix | Source: fishsticktheatre.com |
This rings true for the majority of the show. It seems like the creators cockily envisioned a multi-season gig instead of embracing the 12-episode-format. By the end of these episodes there is only slightly more clarity than after the first hour of the show. In Matrix-style there is a dark organization behind it all that is trying to control and kill the sensates and that the 8 minds have to escape from. But how and why? This conspiracy is not thought through and, in between desperately trying to build up romantic relationships between different sensates, seems rushed. While the last episode goes back to the fate
© Netflix | Source: fishsticktheatre.com |
© Netflix | Source: fishsticktheatre.com |
© Netflix | Source: fishsticktheatre.com |
With Sense8 Netflix tries to jump onto the popular sci-fi wagon with the help of the brains behind The Matrix the Wachowskis. While the show does have an excitingly edgy feel to it and a mentally challenging and promising idea behind it, Sense8 can’t live up to its expectations. Not even the very diverse cast, characters, and storylines can make up for the lack of logic and perseverance in the story. With the show’s fate still in the air, I am torn between wanting a second season of something that holds a lot of promise and having enough of a failed attempt at being clever and innovative. If Sense8 does get a second chance, there have to be some serious changes made in drawing up logical storylines that bring some degree of clarity and reward to us viewers.
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